Category: Personal

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Beyond Words

Fox News Offices this morning

I’ve just reviewed a ton of reactions to the January 6 Committee’s first hearing last night. If the hearings could change one person’s mind, that would be a positive. Other than repeating what the many opinionists have been saying, I don’t know what to add that would shed any great light or express how utterly awful the state of the United States union is.

Nor can I bring myself to write something that would be clever or penetrating. Taking that kind of approach now seems flippant and self-serving. We need fewer of these pronouncements, of which Jonathan Chait provides a good example. Writers seem to be captivated by others’ opinions, whether it be about guns, race, Trump or January 6. Yet one who tries for original thoughts on such subjects is not heeded, he’s just ignored.

The problems confronting the U.S. seem intractable. So, despite all the noise they make, the voters en masse basically ignore their solutions. I’m at the stage where I still keep devouring products of the multi-headed media, only finally to disregard much of what is said. The media is too much with us.

So I’m going to beg off blog writing for a while—until and unless I get my voice back. Let’s all take a break and go to the beach.

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A Modest Proposal for the Gun Predicament

Some of you may remember Jonathan Swift’s grand satire on how to deal with the Irish potato famine. He proposed selling babies of the starving poor as food for the greedy rich. Present-day Republicans have gone Swift one better, allowing children to be killed so they can have their guns. And they do this with none of Swift’s irony.

As one of a few who realize how far gone we are, Michelle Goldberg writes:

Guns are now the leading cause of death for American children. Many conservatives consider this a price worth paying for their version of freedom. Our institutions give these conservatives disproportionate power whether or not they win elections. The filibuster renders the Senate largely impotent.

Others express “an overwhelming sentiment” too that nothing is going to change. McConnell’s proposal to look for compromise with the Democrats is just smoke that will dissipate in testy negotiations. Far-right Republicans have proven they prefer violence over compromise. Goldberg  again:

the more America is besieged by senseless violence, the more the paramilitary wing of the American right is strengthened. Gun sales tend to rise after mass shootings. Republicans responded to the massacre in Uvalde by doubling down on calls to arm teachers and “harden” schools.

The history of gun control attempts in this country is a pathetic tale of one failed attempt after another. When I worked in Washington, I recall meeting with the people who worked so hard to get the Brady Bill passed. It did pass in 1994 and the NRA mobilized to kill it four years later. Despite the carnage in Uvalde and Buffalo, I can’t imagine any serious gun control legislation making it through Congress.

Efforts by Republicans in Congress have a long history of universally shooting down every legislative attempt to attack the problem. Every sensible person knows this, yet even now they talk about fig-leaf proposals that cannot properly address the problem. Background checks and red flags will never begin to eliminate the deep culture of gun violence in the U.S. The sorry history of all this is well documented here, and the Supreme Court has long thrown up major impediments and will continue to do so.

And yet, as many of you know, most Americans want very much to “do something” about gun violence—now more than ever. But Republicans are overwhelmingly captive to their conservative, mostly rural, constituents who could conceivably vote them out of office for waffling on guns. Toadies like John Barrasso of Wyoming say things like, “We don’t want to take away the rights of law-abiding citizens.”

So the many people like him, who have been obstructionists to gun reform for as long as I can remember, are the problem. And they will never vote to reform the filibuster, which keeps their minority in power.

So my modest proposal is: just throw the Republicans out. Vote them all out. What else is there to do? They will not change their goal of holding up any and all attempts at gun control, and they have proven that you’ll get no realistic gun reforms while they hold the legislature at bay.

To accomplish this and win back at least the Senate, Democrats will have to make gun reform the absolute centerpiece of their campaigns in the midterms and beyond. Joe Biden and others with any clout will have to speak out in every kind of forum and at every opportunity. For once, they will have to get nasty and loud, and stop playing games of reconciliation with the enemy.

Who knows if this long-shot strategy would work? There is no more real collegiality left anyway. Maybe the voters would finally appreciate some straight talk about how one corrupt party would sacrifice their kids for more guns.

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Drinking Heavily and Watching Out for Cockroaches

For some, expat life means socializing and keeping up. The latter activity includes hanging out with friends, gossiping, volunteering for good causes, eating out frequently. Many women I know in Oaxaca spend a lot of time doing these things. I applaud them for it.

Others, both men and women, seem to spend an inordinate amount of time drinking. It’s not just loneliness and cultural disruption, as the common opinion has it. There are two main causes for expat boozIng: one is boredom; the other is disgust with the U.S. political/cultural scene. One more article on Elon Musk and Twitter and I’m ready for a martini.

I don’t socialize a lot, but friends and I have a weekly poker game, which always includes an open bar. Reading, writing, cursing out CNN and the news, and listening to music are activities I pursue to recover my sanity. I’m less addicted to booze than in years past, a good thing.

Oaxaca is in the tropics, after all, and that means cockroaches are always lurking or present. (Don’t believe people who say they never see them.) My compañera in our new house brought her cat here, and that seems to have eliminated most of the problem—but not entirely.

So I conduct roach patrol every morning and stomp on the bastards when I find them. They are not that numerous now, but we older white males seem to have a particular aversion to them. Why is that?

Expats who have adjusted here learn to live with bugs, along with the everyday difficulties of dealing with Mexican bureaucracies, AMLO’s idiotic pronouncements and decisions, the killing of journalists, and the still-horrific numbers of drug murders. To live a life without depending on booze, one must push these things to the background.

It’s pretty much the same with roaches. They are wily creatures who will be here long after humans are gone. Unless you have a bad infestation, just whack ‘em when you see ‘em and, if it’s cocktail hour, pour yourself a short drink.

The pleasures and joys of living here as an expat require one to acquire a certain calmness in the face of mostly unsolvable problems. If you don’t develop that, the booze could take over.

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You Think We Got Troubles Now?

Here’s Hunter S. Thompson, one of my favorites, on the situation in 2003:

The U.S. Treasury is empty, we are losing that stupid, fraudulent chickenshit War in Iraq, and every country in the world except a handful of Corrupt Brits despises us. We are losers, and that is the one unforgiveable sin in America. . . .

The American nation is in the worst condition I can remember in my lifetime, and our prospects for the immediate future are even worse. I am surprised and embarrassed to be a part of the first American generation to leave the country in far worse shape than it was when we first came into it. Our highway system is crumbling, our police are dishonest, our children are poor, our vaunted Social Security, once the envy of the world, has been looted and neglected and destroyed by the same gang of ignorant greed-crazed bastards who brought us Vietnam, Afghanistan, the disastrous Gaza Strip and ignominious defeat all over the world.

 . . . . We are like pygmies lost in a maze of haze. We are not at war, we are having a nervous breakdown, again.” (2004)

Michael Brendan Dougherty, writing Friday about the Alito opinion in National Review:

Alito’s drafted opinion manages to do what so few essays and treatises taking up this subject can do: be truthful and shrewd. The publication of this opinion was a sin. But O felix culpa, this opinion should be anthologized with all the greatest writing on the topic of abortion in the United States.

Maureen Dowd in The New York Times on Alito:

Samuel Alito’s antediluvian draft opinion is the Puritans’ greatest victory since they expelled Roger Williams from the Massachusetts Bay Colony.

Alito is a familiar type in American literature: the holier-than-thou preacher, so overzealous in his attempts to rein in female sexuality and slap on a scarlet letter that one suspects he must be hiding some dark yearnings of his own.

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Have the Dems Finally Found a Voice?

Years ago I coached political people in how to give effective speeches. Only a few had the kind of controlled passion that Michigan Senator Mallory McMorrow demonstrated last month. She understood that a speech has to be very personal if it’s going to move you. It has to reflect who you really are.

With the furor aroused by the Supreme Court’s Roe v. Wade debacle, you can be sure that women will dominate the discourse to come. Most men sound foolish and presumptive discussing abortion. Women will inevitably put the issues on a personal level. They will be the best political weapon the Democrats have.

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More on Vinyl

Collecting vinyl is a disease, according to a few women I’ve known. (Most women don’t tolerate music played loud either—but you knew that.) In quantities vinyl is heavy, it’s fussy to play, and it scratches easily. Trying to move a big collection takes strong backs, a lot of boxes, and a truck. Vinyl fanciers do have to admit to these charges.

These attributes plus the advent of streaming music killed off vinyl for a long time. Now it’s having a renaissance as witnessed by growing sales numbers and lots of Kumbaya cyber celebration. Google News tells me in the morning about new vinyl pressing plants going online.

So what’s the appeal? I wrote earlier about the better sound of vinyl and how, for me, that makes all the fussiness worthwhile. With the advent of fairly cheap plug-and-play turntables, vinyl becomes accessible to a growing audience of mostly younger fans who relish its kind of tactile connectedness to their music.

But the physicality of picking up a record and placing it on a platter—and the need to get out of my chair to flip it when it hits the run-out groove on side A—has me appreciating each song all the more. Plus, the wonder of seeing a spinning disc with grooves producing harmonic sound never fades.

I’m too old and long in the tooth with vinyl to get a rush like that. For me it’s the warm sound, plus the psycho-physical need to focus on the music, as if you were in a concert hall. Streaming audio (even with expensive high-resolution downloads) forces music to fit into the mental background of what you are doing. The writer of the above quote gets this, and it’s a big factor: “The music isn’t hiding in the background, as it is when I’m streaming digitally. Instead, it’s front and center.”

London’s Financial Times, an unusual source, tells us that vinyl sales for 2021 went over a billion dollars, the highest level in 30 years. Investors rush to acquire music catalogs and copyrights. The calculus of payoffs to all artists (not just the superstars) changes for the better, and that’s been a long time coming.

A band with 1mn fans, each streaming their new album 100 times in a single month, need only get 20,000 of them to buy the vinyl record to gross the same amount. For consumers, vinyl albums resuscitate a culture of gifting and compilations that used to drive a fifth of all transactions.

So it’s not just the big stars but all the scuffling musicians who make out better with vinyl. And so do the listeners.

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Mingus at 100

As Duke Ellington said about the people and music he loved, Charles Mingus was “beyond category.” Now there’s been a flood of media recognition honoring Mingus’s centennial, and he may be more famous now than when he was alive. Yet the man was so prolific and complex that it’s impossible to do him justice in any short tribute. Nate Chinen gave that a good effort on NPR.

Since I spent a lot of time with Mingus and wrote a book about him, let me give you a few excerpts that reflect something of the true flavor of the man. In 1972, I taped him on one of his favorite subjects, the hoax of electronic music. He was talking with an Italian journalist who inadvertently evoked a lot of Mingus’s aversions.

Electronics are doing the same thing in music as elsewhere: They’re replacing people. Push a button, it sounds like an oboe, but not a good oboe player; another button, sounds like a French horn. The guy who plays this stuff is a nigger because he can’t afford to get a violin player or a French horn or oboe player. He might like to have the oboe—I would—but will go to the commercial extreme because it’s popular to use electric instruments.

And the great men like Charlie Parker and men who played legitimate instruments would laugh at these guys because they’re not in it for the love of music but because they think they’re going to make a lot of money—like Miles Davis did. Miles didn’t even need to make any money; he was already rich, or his daddy was rich. . . . But I know he’s an electronic man, and eventually somebody like me is going to make him come back and start playing again, put that bullshit down and play his horn. He’s gonna have to because [otherwise] he’ll be laughed out. Because you can get a little kid to push a button, and with these machines they got now, it’ll sound like they’re right.

Of course I fell in with that, as I did with many of Mingus’s opinions. Jazz lovers are often purists to a fault. We also spent much time talking about classical music. Mingus was deeply into that, as I found out later in our talks on Beethoven.

Kids should be educated to music, man, [classical is] not bad music. Our society should be listening to operas and everything else by now. It’s just noise to them, they can’t relax for a minute, it makes them sick. If a guy came in and played a beautiful violin for two-three minutes, they’d go crazy—over an ordinary microphone or no microphone.

Don’t you think they could appreciate Pablo Casals if he was young today? Sure they could, man, if this damn country would push it. I don’t know why they don’t want the kids to hear good music. Is it because it would make them healthy? They might throw their pot away. They might, man. You going to print that? And the young Casals, they’re stopping them.

And of course he hit on the avant-garde, another source of his strong opinions:

If Bird were here today, he wouldn’t be still playing bebop. You think he’d let Albert Ayler or somebody like that cut him? He’d do the squeek-squawk too but only a few bars of it. He wouldn’t do every tune like that. He would be avant-garde at the end of the composition or in the middle as a laugh and then go back to playing the music. . . .

You don’t just eliminate the beat. Music is everything—the beat and the no-beat; jazz wants to beat, emphasize the beat, so you don’t cancel it entirely. Especially if you call yourself black, because African people ain’t gonna never stop dancing. Puerto Ricans, the gypsies, Hungarians, they all have a dance music. You know? But they also have mood music that don’t have a beat to it sometimes, Indians don’t have a beat to it, but when they dance to it, they got a beat to it. I don’t see why these cats are ashamed to have a beat to their music.

Mingus was about so much more than angry protest, though I would finally type him as a turbulent man who saw through the many follies of our culture, and not just in music. But his music is what made him great if not famous. We’ll talk about that another time.

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My Vinyl, and Why I Collect It

I started picking up on this stuff when I was old enough to buy records, maybe 14 or 15. There were one or two record stores in Highland Park, the Chicago suburb where I grew up. I learned the joys of browsing and being picky about surfaces. I was in love with jazz (recounted in a memoir here), and the LP (long-playing record) had just come out to displace the 78-rpm shellacs that my father had stacks of.

Vinyl LPs gave you lots of music on one disc and much better sound, though the first discs were recorded in mono, not stereo. To appreciate that sound, however, you had to have good audio equipment which, then as now, was not cheap. In high school and college I got my father involved in hi-fi, and we had some pretty elaborate setups, including reel-to-reel tape.

I bought a lot of New Orleans jazz in the early ‘50s, then got into Bud Powell, Charlie Parker and bebop, and then Monk and Mingus, who introduced me to the “modern” sounds I still treasure. My hoard grew and later incorporated many classical sides. My father dumped the LPs from his collection when the CD came out in the early ‘80s. Big mistake on his part.

When I began to review music as a critic for Playboy and others, my assemblage of albums grew apace. I continued buying records, mostly jazz, while I was reviewing classical and rock for the magazine in the ‘70s. And, yes, I kept some good ‘70s rock. The collection now consists of about 1,500 LPs and maybe 1,000 CDs. I’ve moved it too many times to count.

Which means, I guess, that I can’t do without it. The appeal of vinyl for me is not sentimental or faddish. It’s the medium I depend on for my musical fix. It’s also, given the vagaries of my collection, one person’s version of the history of music and, certainly, a history of my taste.

As to the sound, CDs have gotten generally better in the last few years, but vinyl still has the edge in terms of warmth and fullness. It’s closer to the sound of live music, and that after all is the goal of musical reproduction. As to streaming and most online music, well, one writer put it this way: “Streaming is much like fast food, it’s not the greatest but the convenience is really nice. Records are more like cooking a really nice meal at home, you enjoy the whole experience.” I do cook a lot at home.

People ask about the pops, clicks and scratches. I’ve always handled records with great care and kept them clean, and I have a vacuum machine for the scruffy ones. Clean sound is worth the effort.

A friend who owns a multi-CD player asked, “Isn’t it a drag to turn the record over every twenty minutes?” My answer was that in the days of 78s, you turned the record every three minutes. So it’s what you’re used to—and how much you value clear and full sound.

The great days of music can be reheard if you take the trouble. Likewise, your own great days of music can be brought back to you, and that’s worth a lot.

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Nothing Succeeds Like Excess

Oscar Wilde said this. To which he added, “Moderation is a fatal thing.” I’ve always been a big fan of Oscar’s and once used that quote to justify inordinate drinking and recklessness in college, which in turn led to a year’s suspension and a subsequent turnaround in my life. Oscar’s life ended badly; mine is happily still in progress.

Born in Dublin, he came from a fortunate family and evolved into the major spokesperson for the aesthetic movement in late Victorian England. The aesthetes were a noisy but watered-down offshoot of the French Symbolists, whom I wrote about in a doctoral thesis. Through his pen and his wit, Oscar became known throughout the educated world.

I’ve never made any claim to wit or been part of a movement. I did come from a fortunate family and have written about that elsewhere. Part of growing up in the 1950s as I did was, however, to be seen as educated and clever, and I attempted to fill that bill through love of music and art. As Oscar did, this was an effort to move out of the pedestrian world of business and the common culture that grated on such elegant souls.

But it was important to make this move without much pretension or hype. The last thing you wanted was to be looked at as a pansy or, god forbid, a homo. Since my social tendencies lay in the other direction, I generally fitted in, had lots of friends, male and female, and made the arts the focal part of my “other life.”

Wilde, on the other hand, went out of his way to promote and display his otherness, disdaining convention, writing well, and paradoxically pleasing and even capturing society. His popularity even extended beyond the smart set. Excess does sometimes win out.

The phrase, “nothing succeeds like success” is still current and still accepted. But it’s part of the old culture, particularly the moneyed culture. The common culture today makes it a virtue to have come up the hard way. If you are a politician or an entertainer, the last thing you want to do is admit you came from wealth. Being successful typically means working your way up from being poor or middle class. The classic example is Joe Biden. John Kerry is still mocked.

I smell a lot of hypocrisy in this. Coming up the hard way means you likely had to spend a lot of energy on learning accepted behaviors, on pleasing the powerful, on survival skills. The more fortunate, on the other hand, can (theoretically) earn their success more easily. Yet privilege and success are publicly disdained because our culture continues to value the familiar, the commonplace and the old work ethic.

Oscar knew better. He also said, “Most people are other people. Their thoughts are someone else’s opinions, their lives a mimicry, their passions a quotation.”