
The present heat waves here and in Europe are not just a warning but a forecast. I started writing this blog about climate change in 2019 and after a time gave up on it. Few were listening, and the topic was just too complex and intimidating. Now many everywhere are dying from intense heat and exposure—and the situation is bound to get worse.
What will it take to move the world? We know the answers but still cannot take in their implications. Here’s a post from 2019 that reviews the climate work of two important writers. More than ever, their thoughts are worth hearing.
The Unreality of Climate Change
Amitav Ghosh, The Great Derangement
Bill McKibben, Falter: Has the Human Game Begun to Play Itself Out?
For many of us, climate change is simply beyond imagining. These two excellent books offer quite different ways of understanding what it is, how the threat grew, and what if anything we can do about it.
Ghosh is an acclaimed Indian novelist; McKibben has been writing about climate and fighting for recognition of the crisis for at least thirty years. In these books, Ghosh is the Platonist, looking at the history, artistic rendering and power politics of climate change through a meta lens. He moves us through vast areas of space and time to uncover trends and events that we never suspected controlled the evolution of climate.
McKibben is the Aristotelian here, writing a detailed story of his investigation about why and how we’ve failed to do anything. A reviewer sums up the message:
“Our lives now are only part biological, with no clear split between the organic and the technological, the carbon and the silicon,” McKibben writes partway through. That transition feels like the heart of the book, which he frames as a look at what he calls the “human game”: How do we balance technology and the natural world? What dark, selfish parts of human nature got us here? And what are the options that might make things better, from installing solar panels to genetically engineering more altruistic babies?
McKibben’s book is more accessible; Ghosh writes of grand, sweeping trends, connections you never thought of. For instance, he explores how literature moved from concern with the epic and the supernatural, the presence of unpredictable nature, to exploring the personal, the subjective, and how that has kept us from seeing climate change developing.
Politics has undergone a similar change, becoming focused on identity and personal (moral) development rather than pushing for the collective action that is essential. The economics of capitalism created the carbon economy, but so did the 19th-20th century drive for empire. Industrialism came late to China and India but their vast populations rapidly brought the crisis to its present peak.
For Ghosh, the imaginative, psychological and cultural failure keeps us from talking about climate change or confronting it. So does our concept of time as something linear, progressing, moving always forward. In fact, progress is the spurious idea behind modernity, which fostered the separation of mankind from nature.
Climate change thus remains something beyond our ken, something uncanny, to use his word. Language—and our present use of it—has become inadequate to deal with its strangeness. Finally, however, Ghosh has found ways to describe our great derangement, our divorce from the natural world and which, just maybe, could turn our despair into at least a wisp of hope.
The scale of the climate challenge is beyond enormous, and Ghosh is not an easy read because he forces you to think in complex new patterns. If you make the effort, you’ll find the patterns make sense and some of the clouds will part.

Good piece. It is terrifying to think about exactly what it will take to move the world.